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Bee Gees ~ Second Hand People


See the cracks upon the wall We do not know the meaning of it all Ain't no fire to warm my feet Ain't got a nickel for a bit to ear We're not workin', we're not slavin' Ain't worth a brain, 'cause we're not worth savin' Second hand people, tall as a steeple Softer then treacle, in a pond are we Second hand people Ain't no mirror to comb my face Just keep on going from place to place Ain't got no lights above my head Don't even bother to leave my bed We're not livin' ,we're existin' We're not movin' ,just resistin' Second hand people, tall as a steeple Softer then treacle , in a pond are we Second hand people , tall as a steeple Softer then treacle .... more free lyrics

See the cracks upon the wall
We do not know the meaning of it all
Ain't no fire to warm my feet
Ain't got a nickel for a bit to ear
We're not workin', we're not slavin'
Ain't worth a brain, 'cause we're not worth savin'
Second hand people, tall as a steeple
Softer then treacle, in a pond are we
Second hand people

Ain't no mirror to comb my face
Just keep on going from place to place
Ain't got no lights above my head
Don't even bother to leave my bed
We're not livin' ,we're existin'
We're not movin' ,just resistin'
Second hand people, tall as a steeple
Softer then treacle , in a pond are we
Second hand people , tall as a steeple
Softer then treacle ....

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Globalized Sounds

Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.

The Power of the Scene

When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.

Crossing Borders

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