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Barclay James Harvest, The ~ Fiction: The Streets Of San Francisco


On a cold misty night On the corner of haight She stood with a colt 45 The gun in her hand Awaiting her man A victim to take by surprise She's the golden gate park killer She's the scourge of 'frisco bay Where she got herself beat up and left for dead By a man she felt true love for But who left her out of hand Now she's out to take revenge on every man As she stands there with a pistol in her hand The victim arrives She looks in his eyes He goes for the gun in her hand Karl malden was great (unlike the film, though) But just a bit late (this was the real show) And got it right between the eyes She's the golden gate park killer She's the scourge of 'frisco bay Where she got herself beat up and left for dead By a man she felt true love for But who left her out of hand Now she's out to take revenge on every man As she stands there with a pistol in her hand more free lyrics

On a cold misty night
On the corner of haight
She stood with a colt 45
The gun in her hand
Awaiting her man
A victim to take by surprise

She's the golden gate park killer
She's the scourge of 'frisco bay
Where she got herself beat up and left for dead
By a man she felt true love for
But who left her out of hand
Now she's out to take revenge on every man
As she stands there with a pistol in her hand

The victim arrives
She looks in his eyes
He goes for the gun in her hand

Karl malden was great (unlike the film, though)
But just a bit late (this was the real show)
And got it right between the eyes

She's the golden gate park killer
She's the scourge of 'frisco bay
Where she got herself beat up and left for dead
By a man she felt true love for
But who left her out of hand
Now she's out to take revenge on every man
As she stands there with a pistol in her hand

more free lyrics

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When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.

Crossing Borders

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